Selected Works / Programs

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Alpert refers to Programs as making an improvisational system or visual project that is a companion for performers/ composers. She describes her Works as multifaceted projects with visual elements that can be rendered into physical ephemera, moments that occur in time, as well as digital artifacts. The evolution of Kim Alpert’s art practice has collected tools for building isolated constructions as well as solo exhibitions to large theatrical and festival programs. Alpert’s work fuses digital processing with analog synthesis, custom content, found footage, and historical archives.

From left // mulatu astatke, Garfield park conservatory // Bill mackay, hideout chicago // Haley Fhor, wordless music // rob mazurek & emmitt kelly, co-prosperity sphere


SCAN LINES

Kim Alpert - visuals

Jasmine Mendoza - movement

Cristal Sabbagh - movement

Paul Giallorenzo - synths, electronics

Anton Hatwich - bass

Scan Lines is a collaboration between movement, sound, and video inspired by transformational visions of energy leaving the body and returning to the universe. The mix of organic and electronic sound, combined with the same combination visually - thought the mix of human movement and video feedback and synthesis, evokes the duality of the spiritual landscape. From embodiment to disembodied revelation each incarnation of the performance is singular in nature.

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Above
performance photos from elastic arts


FLESH & BONE

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top row
constellation chicago
npr jazz night in america


above
symphony center - chicago
le petit faucheux - france

mike reed’s flesh & bone

Greg Ward - alto saxophone

Tim Haldeman - tenor saxophone

Jason Roebke - bass

Mike Reed - drums

Ben Lamar Gay - cornet

Jason Stein - bass clarinet

Marvin Tate - words

kim alpert - visuals

Three channel improvisational analog and digital video system with custom content for Mike Reed’s project exploring an incident experience being caught in middle of a neo-Nazi rally in the Czech Republic while on tour. Reed examines this harrowing experience, the background of it and engages around otherness, art, race, politics, and the challenges of being pushed into a place of discomfort.

below
symphony center - chicago


ANTELOPER x ALPERT

anteloper

jaimie branch - trumpet, electronics

jason nazary - drums, electronics

Ongoing collaborations on improvised performances, music videos, and installations.

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above
jaimie branch solo vortex
B&W photos from roulette nyc


STANDARD DEFINITION

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Created by kim alpert

EXHIBITION & WEEKLY SALON
CHICAGO ART DEPARTMENT

MATT LUX COMMUNICATION ARTS
LIMITED EDITION VHS

The exhibition at Chicago Art Department featured large silk chiffon digital prints of high resolution photography of waveforms. These fluid prints of a still moment of a moving signal provided a physical element to companion the fourteen new video works that debuted in this collection. Several of these looping video moments became part of an album length video companion to the album Matthew Lux’s Communication Arts Quartet from Astral Spirits Records. This collection of works expanded from a residency at Signal Culture in New York.

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above
Stills from standard definition collection
photos from weekly salaon performances

Below
kim alpert at signal culture, NY

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below, from left
the wing / knoll lobby chicago - curated by johalla projects
silk print editions prepared for buddy shop
jasmine mendoza, taos new mexico

Limited silk prints available at the Chicago Cultural Center inside the Buddy Shop


INSTIGATION

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Created by Marie Casimir & Steve Marquette

biannual interdisciplinary improvisation festival celebrating the relationship between
New orleans & Chicago

Active member of the Instigation Orchestra, participating in festivals creating live visuals, environments, and digital media.

top row from left
DKV + joe mcphee - new orleans 2019
contemporary art center - new orleans 2017
Art Garage - new orleans 2019

Middle
toy story, festival stream via ess.org 2020

Bottom
contemporary art center - new orleans 2017


STAMMER

Ken Vandermark’s momentum 5


Kim Alpert – visuals

Tim Barnes – percussion

Katinka Kleijn – cello

Damon Locks – samples/electonics

Nick Macri – basses

Lou Mallozzi – recordings/electronics

Claire Rousay – percussion

Ken Vandermark – reeds

Mars Williams – saxophones/little instruments

Ken Vandermark’s Momentum 5: Stammer Triptych is a performance in three parts. It builds upon itself with each pass which is represented visually though generating analog signals with text used in the work and adding in elements of feedback as it moves from one set to the next.

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above
program release video stills

Above
Stills from video program


IN THESE TIMES

This unique multimedia performance of Makaya McCraven's In These Times was originally commissioned by the Walker Art Center, Minneapolis, with support provided by the Doris Duke Charitable Foundation. The World Premiere took place at Walker Art Center's McGuire Theater on October 18, 2019.

Makaya McCraven - drums

Jeremiah Hunt - bass

Brandee Younger - harp

Jeff Parker - guitar

Greg Spero - piano

Marquis Hill - trumpet

Greg Ward - sax

Macie Stewart - violin

Lia Kohl - cello

Kim Alpert - Visual Design, Mix, Direction

Mary Roland Myers - Assistant Director

Michael Handler - Camera Operator

Video sources include The National Archives, FBI Black Lives Matter Surveillance, Southern Educational Films, Encyclopedia Britannica, Westinghouse, and the McCraven Family Archive.

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ABOVE
Rehearsal, Walker Art Center 2019

below
Symphony HALL Chicago 2020
Stills from Walker Art Center shows


BROKEBACK

Douglas McCombs - bass

James Elkington - pedal steel

Areif Sless-Kitain - drums

Shot at autumn in south western Michigan, this concert program combined location movement exercises with sprawling landscape shots to weave a story of isolation, resistance, and perseverance.

above
video program stills


RE: EDIT

In celebration of the 10th anniversary of Re:Edit, Alpert remixed the focal three channel installation Shave. The new work has a sonic treatment by Claire Rousay.

For the 2008 exhibition of Re:Edit, custom built video monitors were fabricated for a limited edition physical digital series.

Below
Production photos for custom monitors 2008

Above
Chicago Motion Graphics Festival 2009
Stills from Catalytic Sound Festival 2020